I really don’t like Bob Dylan, and it is a toss-up whether the Beatles and John Lennon go to the top of my 1960s decadence list. That being said, Dylan seems to have done some good this time, with a song. “Murder Most Foul,” the title lifted from Shakespeare’s Hamlet Act I, Scene 5: “Murder? Murder most foul, as in the best it is. But this most foul, strange and unnatural. ... Murder's always horrible, but this one was especially horrible, weird, and unnatural.” The song is linked here, and lyrics reproduced, which are really self-explanatory. In a nutshell, Dylan is disputing the one shooter hypothesis of the JFK assassination, and that may lead people to look deeper and think harder, maybe even going to the ultimate book on all of this, Laurent Guyenot, JFK- 9/11: 50 Years of Deep State, which I think you cannot get on Amazon, or at least I did not find it:
https://www.barnesandnoble.com/w/jfk-9-11-laurent-guyenot/1120325549
“From the Cold War to the "War on Terror," JFK-9/11 exposes the hidden powers at work in the Empire's foreign policy. It highlights the role of undercover and paramilitary operations, psychological warfare and disinformation, and false flag terror. Relying strictly on documented evidence and state-of-the-art research on the JFK assassination and 9/11, the book cuts through the layers of government and mainstream media lies. JFK-9/11 assembles the most significant and well-documented "deep events" of the last fifty years into a coherent narrative of the "deep history" of the United States and its sphere of influence. The result is both a concise introduction for newcomers, and an insightful perspective for informed readers. Relying strictly on documented evidence and state-of-the-art JFK and 9/11 research, the book cuts through the layers of government and mainstream media lies, to expose the hidden powers at work in the Empire's underground foreign policy. It documents the role of undercover and paramilitary operations, psychological warfare and disinformation campaigns, and above all false flag terror, in the course of world politics since the beginning of the Cold War, and increasingly since September 11th. The book is divided in two parts: the first deals with the underlying forces of the Cold War, the second with the driving forces of the War on Terror. The period investigated begins just before November 22, 1963 and peaks on September 11, 2001, the two deep events that weigh most heavily on the unfolding of American and world history. The author highlights their structural similarities, examines how one made the other possible thirty-eight years later, and follows the underlying thread leading from the one to the other, in the hope of anticipating and circumventing future atrocities.”